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To compare new-age music with classic rock is a stretch, but for Yanni, it is possible.This Greek composer marries contemporary new-age spirituality with today’s pop attitudes and delivers a unique sound." Yanni has employed musicians of various nationalities, and has incorporated a variety of exotic instruments from around the world from an Australian didgeridoo to a Peruvian charango, to perform with his classical orchestra, rock rhythm section, and electronic keyboards.(London; 1995 & 2014), Yanni has been permitted to perform at such world landmarks as the Acropolis of Athens (Greece; 1993), the Taj Mahal (Agra, India; 1997), the Forbidden City (Beijing, China; 1997), the Burj Khalifa (the world's tallest building; Dubai, United Arab Emirates; 2011), Rising in popularity with the new age music boom of the 1980s and 1990s, Yanni's music became more well known through adult alternative radio airplay, appearances on public television and in television commercials, as well as international music tours. The Allmusic review of the Acropolis album characterized this song as "exotica," beginning with atmosphere and chime effects and evolving into an "adventurous orchestral and synth explosion" perceived as more ambitious than Yanni's studio recordings.Yanni's music has been used in television shows and televised sporting events, including the Super Bowl, Wide World of Sports, U. The Allmusic review of the Acropolis album selected this song as epitomizing musical balance, opening with percussive string fanfare but then allowing Yanni to be simply expressive on the acoustic piano as the orchestra toned down.After negotiating the demands of gaining permission to perform at the Taj Mahal and Forbidden City in 1997, breaking up with Linda Evans in early 1998, and completing a long world tour later in 1998, Yanni halted his music career.In 2000, after the two-year hiatus, Yanni released If I Could Tell You, his first studio album in seven years.

The Augusta Chronicle's Kelly Jasper noted that most of Yanni's music is instrumental, indicating that Yanni surmised that the lack of lyrics is what allowed his music to become popular internationally.

Before his 2015 concerts at the Egyptian Pyramids Yanni said that emotions are the same throughout the world, and that his predominantly instrumental music can communicate those emotions with people everywhere because it bypasses language.

Moser interviewed the composer, asking if he intentionally tries to create "something that’s going to last forever as opposed to something that’s just going to sell 1 million copies right away," Yanni replied that "There’s no way you can create art to last forever...

In the 2010s, Yanni’s international tours included performances in over thirty countries on five continents, including (alphabetically) Argentina, Armenia, Bahrain, Belarus, Brazil, Bulgaria, Canada, Chile, China, Costa Rica, Czech Republic, Egypt, Germany, Hungary, India, Israel, Jordan, Kuwait, Lebanon, Mexico, Oman, Panama, Poland, Qatar, Romania, Russia, Saudi Arabia, In this vein, Booth Newspapers' Jeffrey Kaczmarczyk perceived the eclectic inspirations of Yanni's music to be an element of his success: Yanni's "Middle Eastern and Oriental scales and mixed meters sound just exotic enough to entice his middle-of-the-road fans, but not so authentic as to mystify folks who grew up with a backbeat, so you can’t lose it," adding that certain songs "leave you with a sense that you’ve just heard a bit of a steel drum or a Greek bouzouki or a Japanese koto or possibly all three." Yanni explained that the 1970s, with its new technology and electronic instruments, were particularly influential at that stage in his career, and that even recently his Truth of Touch album (2011) was started by experimenting with new sound designs.

Yanni explained that "the most influence I’ve ever had from music was doing (soundtracks for) movies, ...

I think the world would be a much better place if some day, we stopped pretending that these lines exist and we concentrated on our similarities rather than our differences.

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